1001 Movies You Must See Before You Die by
With over 1.75 million copies sold worldwide, this book is a must-have for all movie lovers. This brand-new edition of 1001 Movies You Must See Before You Die covers more than a century of movie history. Selected and authored by a team of international film critics, every profile is packed with details, plot summaries and production notes, and little-known facts relating to the film's history. Each entry offers a fresh look at some the greatest films of all time. This all-new edition has been updated with: New films that span the globe Detailed, full-color images Key quotations from the movies More movie posters than ever Up-to-date facts and movie trivia Learn the complete history of filmmaking, from silent-era sensations such as D.W. Griffith's controversial The Birth of a Nation to recent Oscar nominees like Star Wars: The Force Awakens and Mad Max: Fury Road. Discover little-known facts about Hollywood's most memorable musicals, greatest dramas, noteworthy documentaries, screwball comedies, classic westerns, action and adventure films, and more. Movie lovers of all stripes will thoroughly enjoy this must-have compilation.
Rock on Film by
For rock music and film buffs alike, this is the ultimate guide exploring the electrifying, entertaining, and often daring marriage of rock & roll and cinema. When the use of Bill Haley's "Rock Around the Clock" turned 1955's Blackboard Jungle into a teen sensation and a box-office smash, it proved the opening shot in a cinematic and cultural revolution. Starting with Elvis Presley and the teensploitation films of the '50s and '60s, in Rock on Film award-winning author and former Rolling Stone editor Fred Goodman takes readers on a wide-ranging journey through film and pop history. Along the way, he measures the transformative impact of the mid-'60s landmarks A Hard Day's Night and Dont Look Back and how they seeded an almost unbelievably broad genre of films made by increasingly ambitious musicians and filmmakers across the past seven decades. From the carefree to the complex, the mindless to the mind-bending, rock films have staked out their own turf by simultaneously celebrating innocence and challenging artistic and social conventions. With an insightful round-up of fifty must-see rock films spanning crowd-pleasers, art-house favorites, underground gems, and undisputed classics, Rock on Film surveys the nearly seventy-year canon of a genre like no other. A series of original interviews with Cameron Crowe, Jim Jarmusch, Penelope Spheeris, Taylor Hackford, and John Waters illuminates how rock has influenced the work of some of the most divergent and thoughtful directors in movie history. Illustrated throughout by more than 150 full-color and black-and-white images, Rock on Film brings the history of music in the movies to vivid life.
Easy Riders Raging Bulls by
When the low-budget biker movie Easy Rider shocked Hollywood with its success in 1969, a new Hollywood era was born. This was an age when talented young filmmakers such as Scorsese, Coppola, and Spielberg, along with a new breed of actors, including De Niro, Pacino, and Nicholson, became the powerful figures who would make such modern classics as The Godfather, Chinatown, Taxi Driver, and Jaws. Easy Riders, Raging Bulls follows the wild ride that was Hollywood in the '70s -- an unabashed celebration of sex, drugs, and rock 'n' roll (both onscreen and off) and a climate where innovation and experimentation reigned supreme. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age. MARTIN SCORSESE ON DRUGS: "I did a lot of drugs because I wanted to do a lot, I wanted to push all the way to the very very end, and see if I could die." DENNIS HOPPER ON EASY RIDER: "The cocaine problem in the United States is really because of me. There was no cocaine before Easy Rider on the street. After Easy Rider, it was everywhere." GEORGE LUCAS ON STAR WARS: "Popcorn pictures have always ruled. Why do people go see them? Why is the public so stupid? That's not my fault."
